Publicious Links: The Moonwalking In Threes Edition

They say celebrity deaths come in threes. I say, you see what you want to see. But this past week was pretty hard on 20th century cultural icons. If you’ve lost track of who’s still with us, consult Dead or Alive? Oh, nevermind, I’ll save you the trip: Abe Vigoda still walks the earth.

First off, poor Ed McMahon. The guy spends decades in the public spotlight as Carson’s sidekick. Night after night, and with Memorex precision, he delivers the chiseled-in-the-collective-memory line, “Heeeeere’s Johnny!” For a side gig, he props up a molten Jerry Lewis every Labor Day for the final timpani. He even has the cartoonish celebrity second act with Star Search and the thing that wasn’t quite Publisher’s Clearinghouse. And when he dies, he gets two seconds of attention.

Next up, poor Farrah. I never quite got the obsession with her or her bodacious hair. Yes, Farrah was incredibly beautiful. But I had only one true love during my single-digit years, and that was Lindsay Wagner, aka Jaime Sommers, the true, be-scarfed Bionic Woman. Still, the impact of Farrah’s locks and teeth is undeniable. And happily, she earned major props for her acting craft as well as her looks. So she got four seconds of attention this week.

Which brings me to the King of Pop. What more can anyone say about the Curious Case of Michael Jackson? I was a teenager in the 80s, but it never occurred to me to actually buy Thriller. It would be like buying air. I watched MTV for about four years straight, without blinking, from 1982-1985. I heard Thriller on a daily, if not hourly basis, for years on end. It was like life in a prison in the Phillipines. Now I watch this video of him auditioning for Berry Gordy at age ten, channelling James Brown with such precision that it freaks me out. For his otherworldly talent, this ten year old kid got his childhood replaced with showbiz, and became the most famous person on the planet. The unraveling that occurred afterward, is amazing to me, only in that it took so long.

So to Ed, Farrah, and Michael, I will picture you three moonwalking off the stage together. Rest in peace.

Oops, in my self-indulgence, I forgot this is a blog about publishing technology. How about some links?

First, GridIron Software has just released Flow. It is way cooler than sliced bread. How would you like for your files to know how they are all related? Images know which InDesign layouts they’ve been placed in. PDFs know which documents they were created from. You say you only remember the name of a layer in a Photoshop file? No problem, you can find it. And so on and so on. I don’t like to throw around the word “amazing,” but Flow really is A-freaking-mazing. I’ve installed the trial version and I think living without it is going to be impossible from here on out.

From the how did we ever live without Photoshop category, part 1: Gizmodo has 65 Ancient Video Games I Wish Existed.

From the how did we ever live without Photoshop category, part 2: Wonkette has Sarah Palin’s quixotic and hopeless war vs. Photoshop.

Ever wonder how Adobe came to be? Wonder what it might have to do with Xerox? Check out a nice little bio of founder John Warnock.

Here’s a couple of my recent posts from InDesign Secrets: Honey, I Blew Up the Color Panel, Bridge Font Blind Spot, and Eye Candy, Part 5: Blending a la Mode.

As the digital revolution comes full circle, the phrase “Web to Print” is going to be heard a lot. Bitstream’s Pageflex Storefront uses InDesign Server to power its piece of the Web to Print pie.

GREP Master Peter Kahrel has posted a brilliant tutorial on Dealing With Long GREP Expressions. My advice: caffeinate heavily before reading.

At work, I was asked to evaluate someone’s choice of 100c70m drop shadows. My evaluation was “um, no.” Here’s how to make a blue shadow in real life.

Brian Lawler (author of the Official Adobe Print Publishing Guide) has posted an interesting idea for using Photoshop’s Count tool.

From the It’s A Small World, But I Wouldn’t Want to Print It Dept: How about a digital archive that contains all the peer-reviewed mathematical literature ever published? That’s about 100 million pages. No sweat, say the folks behind the Digital Mathematics Library Project.

Print and prepress guru par excellence Steve Werner is giving a eSeminar on InDesign Best Prepress Practices on July 1. If you miss it, you can catch the recorded version.

Thomas Silkjær has posted a nice set of highly-organized pre-defined styles for InDesign, which you can modify to suit your own needs.

ShapeCollage is a nifty, free tool for making collages out of your photos. You can arrange any number of pictures into any shape.

Popular Science has a prototype color-picking pen, that mimics Photoshop’s eyedropper. It’s supposed to scan the color of any real life object and then recreate that color with ink. Too bad the desinger needs a remedial lesson in the physics of subtractive color and CMYK. Still, it’s a mind-blowing concept.

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Lunchtime Links: The Bailout Bonus Edition

Now that the corporate malfeasance has been dealt with by a powerful surge of re-branding, AIG can go back to standing for “anchored inline graphic.” Whew! For a minute there I was worried we were all screwed. At least now the printers will be happy with all the millions spent on new business cards, stationery, signs, etc.

I just posted a way of using GREP styles with Preview in InDesign to play and learn GREP with fewer tears and gnashing of teeth.

A few other popular GREP reources:

Master Yoda was actually speaking of GREP when he famoulsy croaked, “Do. Or do not. There is no try.” He also said of Peter Kahrel’s GREP in InDesign CS3, “A better $10, you will not spend, my young apprentice.”

BBEdit’s GREP tutorial

JetSet Communications Adventures in GREP.

The InDesiger’s Undocumented Bit of GREP Gold.

GREP-free links

This summer Montreal will play host to the XML alpha geek community when the Balisage 2009, conference hits town. Montreal, summer, XML, oui, oui, oui! Anyone interested in being a speaker must submit a paper by April 24th. Ahem, Mr. Damitz, I’m looking at you…

Counting human beans: maybe the AIG bonuses wouldn’t have happened if the execs’ performance had been subjected to this kind of scrutiny.

If you like your graphic design preserved with a good dose of sodium benzoate, check out the magnificent decontrstuction of Pepsi’s new look. at Before&After.

NCAA, meet PDF: in Adobe’s Ultimate Tourney Guide. (Acrobat 9′er required). You only have to pay for it if your picks all lose. Call it a virtual vig. 😉

Lastly: Sherman, set the Wayback Machine for exactly five years ago. When Adobe was touting the new CS as the most important box of software you’d see for the next five years. Guess they didn’t see the fact that in five years, there wouldn’t BE any software in boxes. They were clearly living in the past. If the cloud people have their way, in five years, there won’t be any software on my computer.

See ya, kids. I’m off to collect my bailout bonus: a bowl of Ramen.

A Little Greplet

Just a quick example to whet your grepetite.

I was looking at some XML code in InDesign today and wishing I could emulate Dreamweaver, Oxygen, etc, where you can pick highlighting colors for code, to make it a lot easier to read. The code was actually an example spelled out on the document page, not real live XML in the structure pane.

Even a small piece of code can be pretty taxing on my little brain when it looks like this.

I look at that and think, “when’s lunch?”

Then I think, “what’s a quick way to make the tags bold and something other than black?” I think you could get some fancy results with nested styles, but a) that was more work than I wanted to do, and b) I didn’t want to add any styles to the document.

Voila, a greplet is born.

What this dialog is saying to InDesign is, “find all my opening and closing tags and make them bold and blue.”

Literally, find “<” followed by one or more word characters “\w+” followed by “>” or “|” “</” followed by one or more word characters “\w+” followed by “>”

Hit Change All and we get this:

It still ain’t the Mona Lisa, but at least I’m not eating my lunch at 10 AM just to get away from it.