I am eight kinds of geek. Among my varied geekery is film geekery. I took a lot of film classes in college, mostly from a wonderful man named Arthur St. Leger Grindon, who taught me ways of seeing, not just what’s up on the screen, but everywhere. Thanks, Lege. Nowadays Netflix is my film school, augmented by the ridicuously good podcast/blog, Filmspotting (née Cinecast).
So this week, I was watching Un Chien Andalou, by Luis Buñuel and some punk named Salvador Dalí. Among its many charms are ants crawling from a guy’s palm, dead donkeys on pianos, and the notorious eyeball shot.
Watching UCA is like getting beaten with a sack of puppies, but it is a cornerstone of modern art and cinema. Plus, we would never have had Monty Python without Buñuel and his ilk, so you gotta love it, dead donkeys and all.
In the DVD commentary Buñuel’s son told how his father was once so bored at Charlie Chaplin’s Xmas party, that he and some accomplices stood up and stomped the Xmas tree and presents to pieces. Just to be, y’know, subversive. As you might imagine, Chaplin was rather miffed. But sometime later, after the holiday, he invited Buñuel back to his house and surprised his guest with a completely new Xmas tree, loaded with presents. Chaplin asked Buñuel to stomp everything again, but this time do it first, so they could enjoy a nice peaceful dinner afterward. So in honor of Buñuel and Chaplin’s random acts of weirdness, I give you eleven pieces of the ultimate surrealist work: the Internet.
First off, I can’t believe it’s taken me over a year to mention Deke.com. Deke is, of course, Deke McClelland, author of ten trillion books on Illustrator, Photoshop, etc. I watched Deke’s videos (on actual video tape!) back in the day to study for the Photoshop 6 certification exam, and to this day I still “hear” many of the keyboard shortcuts in his voice. In Deke We Trust.
In case your eyes hurt just thinking about that shot from Un Chien Andalou, soothe them with my latest post at InDesign Secrets: InDesign Eye Candy, Part 1.
Want another great InDesign resource? Check out Gabriel Powell’s Instant InDesign. Great info on template design and high-speed production skills. Videos, tips, and excepts from Gabriel’s book.
Sherman, set the Way Back Machine for last fall, when I was raving about a new Adobe thing called TLF. Well, it looks like someone at the New York Times agreed with me. This week the Times launched a new AIR-based online news reader. It’s getting rave reviews, and it relies on TLF. Here’s the behind-the-scenes story from Adobe. TLF guys, remember your friends when you’re rich and famous!
This week’s Adobe Developer Summit has been great, so far. It’s amazing how easy and well Adobe Connect works to deliver the conference to those of us who couldn’t make the trek to Seattle. If you want to glimpse the direction that the big A is pointed in for the future, check out the conference. In particular, pay attention to technologies like Configurator, which allows you to create custom interfaces for Photoshop, and will be extended across the Creative Suite.
Ever wonder what typeface the Adobe “Periodic Table” of logos is set in? It’s called Adobe Clean. It was designed by Robert Slimbach and used to be called Gauge. While you can’t buy it, you can read the story behind it.
Tweets in Space! Twitter has now gone beyond a worldwide phenomenon, with the first astronaut to tweet from orbit. Can you imagine if we had Twitter during the Apollo days? DrRendezvous RT@CoolNeil: “The Eagle Has Landed!” http://bit.ly/N4sA11
That’s all for now, kids. Beware of Spaniard Surrealists bearing straight razors, and remember the words of poet Frederico García Lorca:
On the empty plain
an olive tree goes walking
Just one lone
Filed under: Acrobat, Adobe, Flash, Flex, Fonts, InDesign, Photoshop, RIA, Twitter | Tagged: Adobe, AIR, Bunuel, Chaplin, Dali, Deke, Flash, Flex, Illustrator, InDesign, NASA, Photoshop, surrealist, TLF, twitter |